Like many great resources and people, Vickie Willis came to my attention on the WPA-list. She issued her Call for Proposals for the anthology Don’t Panic!: The Instructor’s Guide to Assignments and Activities for First Year Composition. I found the ensuing thread intriguing, and I contacted her. Fortunately for us, she agreed to do an interview. I do hope you enjoy reading it as much as I did.
Please describe your current teaching position.
I’m a Graduate Teaching Assistant (GTA) at Georgia State University, and I teach first year composition. Even though the position is called a GTA (or TA at other schools), I still have my own classroom, and I develop my own syllabus and course materials (while following our department’s course objectives, of course).
Student-wise, I’m in the Ph.D. program, too, with a primary specialization in Literary Theory, and a secondary in Rhetoric. I’m currently in my third year at GSU, and I’ve been teaching first year composition for five years.
How did adjuncting encourage you to work towards a Ph.D.?
When I began adjuncting, I still wasn’t clear about where I wanted to go. I had just completed my MA (in literature, with a focus on Modern and Contemporary American), and I had never taught before. And once I was in a classroom, I quickly fell in love with teaching.
Adjuncting was very much a growing and discovering process for me. I gained a lot of confidence in who I was and what I was doing. And it seemed natural to take the next step, and apply for Ph.D. programs. By the time I applied, I knew that teaching was something I wanted to do for the rest of my life. And the idea of teaching forever made (and still makes) me very happy.
There was also the poverty factor. I only adjuncted at one university, and my course load was a 3-3-2 (three courses in the fall, three in the spring, and two in the summer). And this was in Richmond, VA, which can be a randomly expensive city to live in. So I was also working in a hospital laboratory to make ends meet, and that still wasn’t enough. Since I was already going into debt, I figured I might as well go whole hog, and come out with a Ph.D. and a career I loved.
For those of us with MAs in composition or English, what is the most significant difference between being an MA student and a Ph.D. candidate?
Well, I never taught as an MA, so one of the weirdest things about starting a Ph.D. program was teaching classes and taking classes at the same time. It took me a couple of semesters to wrap my brain around that.
Another thing is the level of involvement, in a sense. As an MA student, I did far less stuff than I do now. As a Ph.D. student, I feel like I have three jobs: I’m a student, a teacher, and a professional in the field. When I was an MA student, I was more focused on being a student.
Ph.D. programs, I think, encourage a student to stop being a student and start being a member of an academic community in a more professional sense. I know that’s a strange way to phrase it, but for me, it was a very real transition between a “passive” role and “active” role. I don’t think that’s true for everyone, and I don’t mean to imply that students are “passive.” And I know a lot of MA students that are certainly way more active and involved than I was at that stage. But there’s a role switch involved. I think part of it is learning to trust your own ethos while continuing to develop it. At some point you stop writing papers for classes, and start writing them for conferences and to submit for publication.
How did you get your idea for your book?
There were a couple of things that inspired me, actually. One was SAMLA’s (South Atlantic Modern Language Association) conference here last year. I attended both of the panels for First Year Teaching Strategies, and they were so great!! It was fascinating to hear what other people were doing in their classrooms, and there were so many great ideas and activities that I spent the whole time frantically jotting down as much as I could.
One of my closest friends, who is at GSU with me, also inspired me — she had gotten stuck teaching analysis last semester. And as we talked about it, and as I was thinking about all the times I’ve been in that same boat, it just seemed to click. I had just seen all these great presentations at SAMLA, so what if there was a way to compile teaching ideas and make it available to teachers?
Are you working on it alone or with others?
Well, both, in a way. I’m doing the CFP, and organizing, and talking to people about it—all the stuff that involves putting a book together. But I want the submissions to go through a blind peer review, so I’m going to get an editorial board to review the submissions and probably help collaborate with the final organization.
Plus, I have my very supportive and encouraging boyfriend, and lots of support and encouragement from friends and family.
And I’m getting a lot of mentoring and help, which is just fabulous. With a really good mentor, I don’t think you’re ever really alone.
Is anyone guiding you, or are you flying by the seat of your pants?
I have an excellent guide and mentor, and that is Dr. Marti Singer. She’s our Director of Lower Division Studies, and she is super awesome! We meet and discuss things like how to put together a CFP and what needs to be included, where it should be posted, what publishers to consider, how to write a letter to a publisher to shop your work—just all kinds of invaluable help and information. If I was flying by the seat of my pants, I think I would get stuck.
You know that Family Guy episode, where Ollie shouts “Who wants this dog?!” for the news bit with the animal adoption? Well, I saw that right before I started thinking about putting together a letter for publishers, and all I could think of was “Who wants this book!?”
Lord only knows what sorts of things I would have written if I didn’t have Marti.
How did you decide what kind of text you wanted to create?
This text is partly modeled on a book we do here: First Essays: A Peer Approach to Freshman Composition. In First Essays, which is a collection of undergraduate student writing and apparatus written in collaboration with undergraduates, we include the assignments for the essays in the book. So my format for the assignments and activities draws heavily on that. But I also wanted to include some kind of context and background about the classes that teachers were using their assignments and activities in—not exactly a teaching philosophy, but something to get an idea of everyone’s approach and classrooms. I thought that having a description like that would help situate each assignment, and also give readers a way to get a sense of different approaches and classroom dynamics.
And there are some things that have morphed. I’ve gotten a number of suggestions, and a lot of really good feedback, from people who have read the CFP (especially those on the WPA list-serv!!). So now I’m also going to include a section on further resources for assignments and activities.
Really, I’m just very audience centered. So what people tell me they want, combined with resources I wish I’d had when I first started teaching, is what’s directing me.
Where are you at in the book creation process?
I’m still pretty early in the process. Submissions are starting to come in (already!!), and that is very cool. And Marti is helping me shop for publishers, and we’re already getting some interest—which is also very cool. So, for me, the process started with an idea and a CFP first, to see what sort of response would happen. And then, if it looked like people were interested, going to publishers. I know that some people get a publisher first, but since this is my first project like this, I wanted to make sure I was adding something to the field, and that this was something that people wanted, before I started getting into the heavy-duty work.
What are some of the unknown or unexpected parts of the process that have cropped up so far?
The response. I was expecting to send out a CFP and wait. And instead, within 24 hours of posting the CFP to the WPA list-serv, there was a conversation on the list-serv and I was already getting emails and inquiries. I posted to the UPenn CFP site shortly afterward, and my email volume started increasing immediately. I was not expecting such an enthusiastic reception!! It was awesome and a little overwhelming, and it was really exciting to see how excited everyone else was.
Any piece — or several pieces — of key advice for grad students or adjuncts who are thinking of assembling a book?
Take your idea to a faculty member to get some advice and feedback. Even if you don’t know anyone very well, this can be a really great way to start getting involved and working with other people in your department!
Start by being organized. Have some sort of idea about how you want to organize all your information, submissions, inquiries, etc. before you even start.
Have faith in yourself. You WILL come up with a great idea (you probably already have a great idea!), and it’s important to get it out there. Remember, everyone wants to know what YOU are doing and thinking and researching. I think it’s really hard to find confidence sometimes, and not be shy. But teachers have a really awesome community, and people want to see you succeed, and help you succeed.
Allow yourself to be human. I think that we teachers sometimes get pulled into our students’ vision of us (I had one student tell me once that she imagined that on the weekends all I did was freewrite), and I know that we all work a ton as it is. But remember to take a break, step back, and take some you time.
Where did you find the time to do this?
For me, time is a very real issue. I’m taking my comps in my secondary this semester, helping with First Essays here at GSU, I’ve presented at one conference, I have another conference in March (the APA/PCA in San Francisco!), I’m the Social Director for the GEA (Grad English Assoc.), I’m the faculty assistant for my PDC (Professional Development Community—it’s like a mentoring group), I just finished two book reviews for Popular Music and Society, and I’m planning to start on my prospectus soon. PLUS, I have “a life” that includes my very wonderful boyfriend, who is at Purdue, and my fabulous friends and family. And I knit and scrapbook and watch TV.
I get things done by being very organized and time management oriented. One thing that helps a LOT is that I’ve finished all of my coursework. Since I’m not taking classes anymore, I’m able to devote more time to developing professionally by getting out in the field more.
The trick, I think, is moving from having a schedule handed to you, like when you take a class and get a syllabus, to making your schedule on your own, and using that time in a way that’s similar to when you took classes.
What tools or strategies do you use to manage your time?
My entire time management system comes from a side comment a friend made, about 10 years ago, about his new roommate. “I don’t know why,” he said, “my roommate lets all our messages pile up on our answering machine. Why doesn’t he just check them, and leave a note if one’s for me, then delete them? It takes two seconds. Leaving them all on the machine makes listening to the machine a 15 minute process, instead of a two minute one.”
He would be surprised to learn that his side comment turned into my time management philosophy, but it did. I start on things immediately, I’m always doing several things at once, and I don’t let things pile up. I’m super organized, and have binders and folders for everything. I prioritize projects, and work a little on each one almost every day.
This is something I like to tell my students. At a four-year college, they take about five classes a semester. If they write, on average, ten pages of writing for each class, they will graduate having written about 400 pages of writing. But they don’t do this all at once. It’s spread out and broken down, so they write a little for each class, each semester. It’s really daunting to have someone say, “Okay, you have to write 400 pages. And you have this much time. Go.” But college automatically breaks that down. And I think that’s what it’s all about really—breaking stuff down. By doing things in small chunks, you just don’t realize what you’ve done until you’re finished.
So for me, it’s about managing time. I’m a big list maker, so I usually have a few lists going at once. There’s the daily list, the weekly list, and the semester list, and I keep all of these on 4×6 notecards (the daily list goes on big sticky notes), and I tape them to my computer or desk or day planner. So all the projects and whatnot get broken down, and become manageable.